Shirley Chubb’s practice involves critical interventions within museum collections and archives. Her work has been shown at various museums and arts venues including Brighton Museum & Art Gallery, The Royal Engineers Museum Chatham, and the Sainsbury Centre for Visual Arts where she was an Artist Fellow. She has also exhibited internationally and her work is held in the Arts Council Collection and other public and private collections. Her approach to site specific locations often involves significant collaboration and negotiation with curators and conservators in order to push at the boundaries of representation within exhibition environments. Catalogues documenting her work have attracted critical contributions from a range of associated fields including social history, arts discourse, ethnography and the history of architecture. Shirley has contributed papers and presentations to a range of conferences within the visual arts research environment as well as to the fields of Photography and Archive Research, Museum Studies, Narrative Research and the Philosophy and History of Science.
She was awarded a practice based PhD by publication at the School of Arts & Communication, University of Brighton in 2007 with her thesis titled Intervention, location and cultural positioning: Working as a contemporary artist curator in British museums.
Shirley Chubb lives and works in Brighton and is Reader in Interdisciplinary Art and MA Fine Art Programme Coordinator at the University of Chichester where she also sits on the Academic Board and Research Committee. She recently supervised a successful PhD by practice candidate to completion at the University of Bedford’s Institute for Media, Art and Performance and is External Examiner for BA (Hons) Fine Art & Crafts at Doncaster College, University of Hull and BA in Combined Studies at Edinburgh College of Art
Her exhibition Thinking Path considered Charles Darwin as a cipher for synchronic knowledge. Focusing on the resonance of site as a carrier of meaning, the exhibition took it's inspiration from Darwin's daily ritual of walking the same path at Down House in Kent, his family home for 40 years. The tour of Thinking Path within four museums linked to Darwin enabled further layers of synchronic interpretation in response to the accumulation of artifacts, artwork and site.
Thinking Path was commissioned by Shrewsbury Museum and Art Gallery and toured to four venues throughout the UK. The exhibition was funded by the Arts Council England National Touring Programme, the Arts & Humanities Research Board and Education Through Art.
The visual material generated for the Thinking Path prompted an interest in the mechanics of motion and Shirley’s current work explores the significance of movement through particular environments. In 2011 this work led to her inclusion in a successful Arts Council England Grants for the Arts bid, securing group funding of £99,500 for a series of commissions by artists contributing to the major Shrewsbury Museum & Art Gallery redevelopment project. Her commission will consist of a series of micro interventions within the refurbished museum corresponding to one minute fixed camera structural films recording specific locations related to Darwin’s closely documented childhood in the region.
Most recently Shirley was lead applicant on a successful Wellcome Trust Small Arts Award, securing funding of £29,000 for a collaborative research project titled Significant Walks: personal visualizations of the chronic lower back pain experience. Growing from her work on Darwin the research team includes Professor Ann Moore, Director of the Clinical Research Centre for Health Professions (CRC) and Dr Kambiz Saber-Sheikh, Coordinator of the Human Movement Laboratory, CRC at the University of Brighton and video artist and University of Chichester Digital Media Specialist, Neil Bryant. Dealing with the emerging research area of proprioception, the project explores the reality of walking for individuals with chronic lower back pain. The project will explore the use of inertial sensors, an emerging area in the biomedical sciences, and experiential interpretation will add resonance to the understanding of core data and the production of an immersive video artwork to be exhibited at visual arts and science venues.